|
|
Complete Jerry Hahn Method for Jazz Guitar
Jerry Hahn
This jazz guitar book is a compilation of three books formerly published as Volume 1 - Scales and Exercises, Volume 2 - Patterns and Solos and Volume 3 - Improvisation Course and Chord Studies. This comprehensive edition covers all of the facets of jazz guitar study including all of the primary scales and arpeggios in five positions. There are several exercises to help increase technical facility including an excellent cross-picking exercise. Also there is a large single line section that includes jazz vocabulary and ideas to be played over certain chords and progressions. Learning and memorizing these single line studies expands the student's improvisational concepts and technique. The chord section includes the primary chord forms found in jazz and contemporary music as well as examples of turn-arounds, variations on twelve bar blues, and modal comping. The harmonized bass line section has four chord studies in a Freddie Green style. The Improvisation Course is a unique systematic approach to teaching improvisation. It consists of four lessons that has the student write out solos (with out an instrument) utilizing certain rules. The material in this book will provide a solid foundation for the aspiring jazz guitar student and has been used as the primary text for the jazz guitar programs at Portland State University and Wichita State University.
Table of Contents
Practicing - Ideas and Suggestions Fingerboard Chart Key to Notational Symbols Picking Technique Parent Scales and Modes Exercises - Basic Warm-ups Blues Scales and Patterns G Major Scales and Arpeggios in Five Different Positions G Major Scale - 2nd Position G Major Scale - 5th Position G Major Scale - 7th Position G Major Scale - 9th (10th) Position G Major Scale - 12th Position Db Major - 1st Position Db Major - 3rd (4th) Position Db Major - 6th Position Db Major - 8th Position Db Major - 11th Position G7 Scales and Arpeggios G Minor Scales, Arpeggios and Chords G Melodic Minor G Lydian G Lydian Dominant G Locrian G Altered Dominant G Major Extended C Major Extended Diminished Scales and Arpeggios Patterns for Diminished Scales Whole-Tone Scales and Patterns Cross-Picking Exercises Chord Positions for Cross-Picking Exercises Alternating Picking Cross Picking Part II Seventh Position Alternative Picking Patterns V7-I Patterns II7-V7 Patterns Bmi7b5-E7 Patterns G Minor Patterns for Improvisation Polytonal Improvisation Polytonal Patterns Pentatonics Modal Improvisation D Dorian Eb Dorian The Language of Jazz Jazz Language Changing Positions Complete Fingerboard Knowledge - Malachi Jazz Blues Solo II-V7-I Cycle Giant Steps Ahead All the Things You're Not Joy Springtime Rhythm Changes Comping Rhythm Changes Titus Rhythm Changes Solo Chord Forms Major Minor Dominant Seventh Chords with Open Strings Comping Modal Comping Twelve Bar Blues Twelve Bar Progressive Blues Harmonized Bass Lines Study #1 in G Study #2 in C Study #3 in Bb Study #4 Chelsea Rose What a Friend We Have in Jesus Improvisation - Lesson I Improvisation - Lesson II Improvisation - Lesson III Improvisation -Lesson IV Solo to "In the Breeze" Listening Jerry Hahn
CD Contents 1. Tune up 2. Picking Technique 3. Basic Warm-ups - No. 1 4. Basic Warm-ups - No.2 5. Basic Warm-ups - No.3 6. Blues Scales and Patterns - No. 1 7. Blues Scales and Patterns - No. 2 8. Blues Scales and Patterns - No.3 9. Blues Scales and Patterns - No.4 10. Chord Positions for Cross-Picking Exercise 11. Alternating Picking - No. 1 - 4 12. Alternating Picking - No.5 - 8 13. V7-I Patterns - No. 1 - 4 14. V7-I Patterns - No. 5 - 9 15. V7-I Patterns - No. 10 - 12 16. II7-V7 Patterns - No. 1 - 4 17. II7-V7 Patterns - No. 5 - 8 18. II7-V7 Patterns - No. 9 - 12 19. Bm7b5-E7 Patterns - No. 1 - 4 20. Bm7b5-E7 Patterns - No. 5 - 8 21. Bm7b5-E7 Patterns - No. 9 - 12 22. G Minor Patterns for Improvisation - No. 1 - 4 23. G Minor Patterns for Improvisation - No. 5 - 8 24. G Minor Patterns for Improvisation - No. 9 - 12 25. Polytonal Improvisation Scales and Arpeggios 26. Polytonal Improvisation - No. 1 - 4 27. Polytonal Improvisation - No. 5 - 8 28. Polytonal Improvisation - No. 9 - 12 29. Polytonal Patterns - No. 1 30. Polytonal Patterns - No. 2 and Pentatonics No. 1 - 5 31. Pentatonics - No. 6 - 9 32. Pentatonics - No. 10 - 14 33. Pentatonics - No. 15 34. D Dorian 35. E Donan 36. Jazz Language 37. Changing Positions 38. Complete Fingerboard Knowledge - Malachi 39. Jazz Blues Solo 40. II-V7-I Cycle 41. Giant Steps Ahead 42. Giant Steps Ahead first six measures and 1st and 2nd measures Patterns No. 1 - 4 43. Giant Steps Ahead 1st and 2nd measure Patterns No. 5 - 7 44. Giant Steps Ahead 5th and 6th measure Patterns No. 1 - 5 45. All the Things You're Not -Slow Version 46. All the Things You're Not - Fast Version 47. Joy Springtime - Slow Version 48. Joy Springtime - Fast Version 49. Joy Springtime - Original Version 50. Comping Rhythm Changes - Study # 1 51. Comping Rhythm Changes - Study # 2 52. Titus 53. Rhythm Changes Solo - Slow Version 54. Rhythm Changes Solo - Fast Version 55. Rhythm Changes 1st and 2nd measure Lines 1 - 6 56. Rhythm Changes 1st and 2nd measure Lines 7 - 12 57. Comping - No. 1 - 2 58. Comping - No. 3 - 5 59. Modal Comping - No. 1 - 3 60. Modal Comping - No. 4 - 6 61. Twelve Bar Blues - a and b 62. Twelve Bar Blues - c and d 63. Twelve Bar Blues - e, f and g 64. Twelve Bar Progressive Blues 65. Twelve Bar Progressive Blues Solo 66. Study # 1 in G (Twelve Bar Blues) 67. Study # 2 in C (Twelve Bar Blues) 68. Study # 3 in B (Twelve Bar Blues) 69. Study #4 in A (Donna Lee or Indiana) 70. Chelsea Rose 71. What a Friend We Have in Jesus 72. Improvisation Course Lesson I Solo Example 73. Improvisation Course Lesson II Solo Example 74. Improvisation Course Lesson III Solo Example 75. Improvisation Course Lesson IV Solo Example - In the Breeze
|
|
|